Adam Arkin Quotes
Adam Arkin (born August 19, 1956) is an American television, film and stage actor, and director. He played the role of Aaron Shutt on Chicago Hope. He has been nominated for numerous awards, including a Tony (Best Actor, 1991, I Hate Hamlet) as well as three primetime Emmys, four SAG Awards (Ensemble, Chicago Hope), and a DGA Award (My Louisiana Sky). In 2002, Arkin won a Daytime Emmy for Outstanding Directing in a Children's Special for My Louisiana Sky. He is also one of the three actors to portray Dale "The Whale" Biederbeck on Monk. Between 2007 and 2009, he starred in the NBC drama Life. Beginning in 1990 he had guest role on Northern Exposure playing the angry paranoid Adam, for which he received an Emmy nomination. In 2009, he portrayed villain Ethan Zobelle, a white separatist gang leader, on the FX original series Sons of Anarchy
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I feel like Josh, Michelle and Adam were all team players, who wanted to be a part of an ensemble.
I can't imagine that I would have been cast in the role, without Jamie Lee giving me a thumbs up.
I think that's created a healthy environment. The comparisons to 'ER' were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.
The idea of it becomes a little freaky if you're dealing with someone who has trouble differentiating between fantasy and reality, but that's a concern no matter what kind of movie you're dealing with.
To confront those fears, in a controlled environment, where there's 300 people around you going through the same thing, it's this weird sort of yin and yang.
We all look to have transcendent experiences that lift us out of the everyday, and fear is a good one. But, I think it's the same reason why people want to laugh their heads off.
I think in the case of horror, it's a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.
You're going through the horror of it, you're going through the isolation of it but you're being empowered by reminding yourself that you're connected to everybody else.
I really would have been stupid not to have done it. It was also a film that was actually happening, I mean, Miramax was doing it, and it had a kind of legitimacy to it. And once I read the script, I was there.
I want to continue doing as big a variety of things as I can do, and if that means I have the honor of getting to do more feature work, I would love that. I know that if I make any other long-term TV commitments, it's not going to be on a drama.
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
First and foremost, it was fun. Everybody involved with it made you feel like they were an important contributor to the process. We were made to feel valued.
The place was crawling with youngsters. It was good, because the kids were good. I can't make a general assumption. Again, you're probably getting, as a general theme from me, that I don't make a lot of broad, sweeping rules about movies.
It's amazing that this is still news to people, but that affects the final outcome of the film. When people are treated well, and they're made to feel valued, they give 110 percent.
I'm always honored, but I think for every 100 of those that come along, one of them is actually going to happen. And, the fact that this was an offer on a major film that had a start date, was pretty impressive.