Albert Finney Quotes
Albert Finney (born 9 May 1936) is an English actor. Beginning in the theatre, Finney was especially successful in plays by William Shakespeare before he switched to films. He achieved prominence in films in the early 1960s, his debut being The Entertainer, directed by Tony Richardson, who had directed him in theatre plays various times before. He became a leading Free Cinema figure, and has maintained a successful career in theatre, film and television. He is known for his roles in Saturday Night and Sunday Morning (1960), Tom Jones (1963), Scrooge (1970), Annie (1982), The Dresser (1983), Miller's Crossing (1990), Big Fish (2003), The Bourne Ultimatum (2007), Before the Devil Knows You're Dead (2007), The Bourne Legacy (2012), and the James Bond film Skyfall (2012)
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We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life.
It's a marvellous life, a gregarious life that we've had. We're very lucky in that way. Unlike writers or painters, we don't sit down in front of a blank canvas and say, 'How do I start? Where do I start?'
I mean, I did a film, a musical of 'Scrooge', in '70, and the tricks were done by flat clothes and mirrors. I hope that the day will come when we don't have to turn up at all.
I don't think that we necessarily lie. I mean, we make our living by pretending that we're someone else. I don't tell tall tales. I always tell the truth.
My girlfriend and I rented a nice house on the river and I was there for about two and a half months, and we were just out of Alabama. I hardly got to see Alabama.
I'm doing another Churchill. I did a Churchill for HBO and that was up to 1939 and there's talk of the war years. They were going to do it this fall, but the script wasn't going to be ready.
I'm not bothered by the paparazzi and I don't feel hemmed in, I've never felt that. My youth, mind you, there wasn't quite the same attention to celebrities as there is now, but I've never felt that.
I think that one of Tim's great qualities and abilities is in what seems like a thumbnail sketch to get something quite telling, very simply, when you're doing it or being in that thumbnail sketch, you don't feel that it's important.
He tells you stories, but then, after a while, when you want more, he doesn't give you more. He insists on this old elaboration, the old stories that never changes.
There might've been wires, but I have this ability to make myself light. Well you know what, in ballet, when you kind of lift yourself here, it's all up in the head.
Youll come to see that a man learns nothing from winning. The act of losing, however, can elicit great wisdom. Not least of which is how much more enjoyable it is to win. Its inevitable to lose now and again. The trick is not to make a habit of it.
It was great to do and it's exciting to do those things. That's another thing, that one enjoys the game.
We meet before the movie and she gives you charts with sounds on them and makes a tape of examples. While they are setting up the scene, I go with her to the trailer and we go through the scene and correct the speech.
That is one of the reasons one enjoys acting. Now and again, you get scenes where you work with somebody really good and you have a good time trying to make it really work and really work well.