Charlie Haden Quotes
Charles Edward "Charlie" Haden (August 6, 1937 – July 11, 2014) was an American jazz double bass player, bandleader, composer and educator known for his deep, warm sound, and whose career spanned more than fifty years. In the late 1950s, Haden was an original member of the ground-breaking Ornette Coleman Quartet.
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There's like a special group of people that come from different parts of the planet to study with me. It's nice. I just gave a workshop in Boston at the New England Conservatory, which was really nice.
The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.
Creative Arts raise a person to another level of consciousness as if you could imagine life before words.
I just try to play music from my heart and bring as much beauty as I can to as many people as I can. Just give them other alternatives, especially people who aren't exposed to creative music.
I want them to come away with discovering the music inside them. And not thinking about themselves as jazz musicians, but thinking about themselves as good human beings, striving to be a great person and maybe they'll become a great musician.
As long as there are musicians who have a passion for spontaneity, for creating something thats never been before, the art form of jazz will flourish.
Chris (Anderson) is risking his life with every chord, that's how much it means to him. He has such a reverence for beauty, he plays like an angel.
I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could.
James Cotton is a real blues guy, and he played with Muddy Waters, and it surprised me that they would want me to make a record with them, that he called me to do this record. I'd never done anything like that before. But I love blues, so I was very happy.
It used to be that creative music was most of the music that you heard back in the '30s and '40s, and now it's like 3 percent. So, its kind of a struggle getttin' it out there.
You have to see your unimportance before you can see your importance and your significance to the world.
In the midst of creating, a person is raised to another level of consciousness that doesn't have that much to do with everyday thinking. It's as if you could imagine life before there were words.
The whole underlying theme for the new music... is to communicate honest, human values, and in doing that to try to improve the quality of life.