Gae Aulenti Quotes
Gae Aulenti (pronounced [??a?e au?l?nti]; 4 December 1927 – 31 October 2012) was a prolific Italian architect, whose work spans industrial and exhibition design, furniture, graphics, stage design, lighting and interior design. She was well known for several large-scale museum projects, including the Musée d'Orsay in Paris (1980–86), the Contemporary Art Gallery at the Centre Pompidou in Paris, the restoration of Palazzo Grassi in Venice (1985–86), and the Asian Art Museum of San Francisco with HOK (firm) (2000–2003). Aulenti was one of the few women designing in the postwar period in Italy, where Italian designers sought to make meaningful connections to production principles beyond Italy. This avant-guarde design movement blossomed into an entirely new type of Italian architecture, one full of imaginary utopias leaving standardization to the past.
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The conscious principle in this design has been to achieve forms that could create experiences, and that could at the same time welcome everyone's experiences with the serenity of an effortless development.
I aim to create furniture that appears in a room as buildings on a skyline and reminds the viewer of the interaction between objects of design and architectural space.
My advice to whoever asks me how to make a home is to not have anything, just a few shelves for books, some pillows to sit on. And then, to take a stand against the ephemeral, against passing trends... and to return to lasting values.
I viewed the station as a place, a terrain where I could put a new architecture in place. The station was, of course, an historic monument, but it does not deserve all the respect given it when it is said it is perfect, original and coherent expression of a past that we must revere. Orsay is basically a box.